国家重点研发计划项目(2016YFB1001402)
感谢清华大学美术学院博士生路奇为本文排版做了大量工作. 在此致谢.
[1] UNESCO. Convention for the Safeguarding of Intangible Cultural Heritage. 2018-11-02. http://www.unesco.org/new/en/santiago/culture/intangible-heritage/. Google Scholar
[2] Administrative law office of the legislative affairs commission of the standing committee of the national people's congress. Interpretation and administrative guide to the intangible cultural heritage law. Beijing: China Democracy and Legal Publishing House, 2011. 1--21. Google Scholar
[3] Carboni N, de Luca L. Towards a conceptual foundation for documenting tangible and intangible elements of a cultural object. Digital Appl Archaeology Cultural Heritage, 2016, 3: 108-116 CrossRef Google Scholar
[4] Yuan L, Gu J. The Study of Intangible Cultural Heritage. Beijing: Higher Education Press, 2009. 17. Google Scholar
[5] Wang Y X. The Digitization of National Cultural Heritage. Beijing: People Press, 2009. 8. Google Scholar
[6] Zhou Y, Xu X. A research review on the digitization of intangible cultural heritage. Library and Information Service, 2017, 2: 6--15. Google Scholar
[7] Song J H. Some thoughts on the digital protection of intangible cultural heritage. Cultural Heritage, 2015, 2: 1--8. Google Scholar
[8] Longley A, Duxbury N. Introduction: Mapping cultural intangibles. City Culture Soc, 2016, 7: 1-7 CrossRef Google Scholar
[9] Massimiliano P, Gabriele G, Carlo A, et al. 3D digitizing of cultural heritage, Cult. Heritage, 2001, 2: 63--70. Google Scholar
[10] Baca M, Harpring P, Lanzi E, et al. Cataloging cultural objects. American Library Association, 2013. 28--30. Google Scholar
[11] Mallik A, Chaudhury S, Ghosh H. Nrityakosha: preserving the intangible heritage of Indian classical dance. J Comput Cult Herit, 2011, 4: 1-25 CrossRef Google Scholar
[12] Gomes L, Regina Pereira Bellon O, Silva L. 3D reconstruction methods for digital preservation of cultural heritage: A survey. Pattern Recognition Lett, 2014, 50: 3-14 CrossRef Google Scholar
[13] Lina B. Archives in the Digital Age-Standards, Policies and Tools. Oxford: Chandos Publishing, 2017. 37--50. Google Scholar
[14] Huang Y L, Tan G X. Digital preservation and development of Chinese intangible cultural heritage. J Central China Normal Univ, 2012, 2: 49--55. Google Scholar
[15] Lyu Y R, Zhang L. Innovative applications of multimedia technologies in digital display for intangible cultural heritage. Packag Eng, 2016, 10: 26--30. Google Scholar
[16] Kolay S. Cultural Heritage Preservation of Traditional Indian Art through Virtual New-media. Procedia - Social Behaval Sci, 2016, 225: 309-320 CrossRef Google Scholar
[17] Cominelli F, Greffe X. Intangible cultural heritage: Safeguarding for creativity. City Culture Soc, 2012, 3: 245-250 CrossRef Google Scholar
[18] Ge S Q G, Zhang X Y. The joys and sorrows of the protection and inheritance of intangible cultural heritage projects — the investigation and reflection of the national intangible cultural heritage project “La Zi Dui Xie". Musicol China, 2016, 2: 113--118. Google Scholar
[19] Chang L C. Digital protection and inheritance of Tibetan intangible cultural heritage in the context of new media. J Southwest Univ Nationalities, 2010, 11: 39--42. Google Scholar
[20] Zhou Y H. Digital media: can it preserve and disseminate intangible cultural heritage. J Digit Res Publishing, 2012, 6: 57--63. Google Scholar
[21] Yang C, Peng D, Sun S. Creating a virtual activity for the intangible culture heritage. In: Proceedings of the International Conference on Artificial Reality and Telexistence-Workshops, 2006. 636--641. Google Scholar
[22] Fan R. The Key technology in digital preservation and communication for re-gong Thangka. In: Proceedings of the 2015 International Conference on Intelligent Systems Research and Mechatronics Engineering, 2015. 1914--1918. Google Scholar
[23] de Luca L, Busayarat C, de Domenico F, et al. When script engravings reveal a semantic link between the conceptual and the spatial dimensions of a monument: the case of the tomb of Emperor Qianlong. In: Proceedings of the Digital Heritage International Congress, Marseille, 2013. 505--512. Google Scholar
[24] Hisatomi K, Tomiyama K, Katayama M, et al. Method of 3D reconstruction using graph cuts, and its application to preserving intangible cultural heritage. In: Proceedings of International Conference on Computer Vision Workshops, Kyoto, 2009. 923--930. Google Scholar
[25] Pappa G, Ioannou N, Christofi M, et al. Preparing student mobility through a VR application for cultural education. In: Advances in Digital Cultural Heritage. Berlin: Springer, 2018. 218--227. Google Scholar
[26] Kim U, Shin K. Content concept for VR-based interactive Korean traditional dance experienzone. In: Proceedings of 2017 International Conference On Culture And Computing, 2017. 118--122. Google Scholar
[27] Luo M. Using virtual reality technology to capture “intangible cultural heritage" — taking the protection of Sichuan Opera in Chongqing as an example. Si Chuan Drama, 2016, 11: 94--96. Google Scholar
[28] Dai J B. Construction of digital museum of manchu intangible cultural heritage based on virtual reality technology. J Tonghua Normal Uninv, 2015, 1: 48--52. Google Scholar
[29] Carrozzino M, Scucces A, Leonardi R, et al. Virtually preserving the intangible heritage of artistic handicraft. J Cultural Heritage, 2011, 1: 82--87. Google Scholar
[30] Erik M C. Cultural engagement in virtual heritage environments with inbuilt interactive evaluation mechanisms. In: Proceedings of the 5th Annual International Workshop PRESENCE, 2002. 117--128. Google Scholar
[31] Vosinakis S, Avradinis N, Koutsabasis P. Dissemination of intangible cultural heritage using a multi-agent virtual world. In: Advances in Digital Cultural Heritage. Berlin: Springer, 2018. 197--207. Google Scholar
[32] Machidon O M, Duguleana M, Carrozzino M. Virtual humans in cultural heritage ICT applications: A review. J Cultural Heritage, 2018, 33: 249-260 CrossRef Google Scholar
[33] Rauschnabel P A, Brem A, Ivens B S. Who will buy smart glasses? Empirical results of two pre-market-entry studies on the role of personality in individual awareness and intended adoption of Google Glass wearables. Comput Human Behav, 2015, 49: 635-647 CrossRef Google Scholar
[34] Schaper M M, Santos M, Malinverni L. Learning about the past through situatedness, embodied exploration and digital augmentation of cultural heritage sites. Int J Human-Comput Studies, 2018, 114: 36-50 CrossRef Google Scholar
[35] Fenu C, Pittarello F. Svevo tour: The design and the experimentation of an augmented reality application for engaging visitors of a literary museum. Int J Human-Comput Studies, 2018, 114: 20-35 CrossRef Google Scholar
[36] tom Dieck M C, Jung T H. Value of augmented reality at cultural heritage sites: A stakeholder approach. J Destination Marketing Manage, 2017, 6: 110-117 CrossRef Google Scholar
[37] Volioti C, Manitsaris S, Hemery E. A Natural User Interface for Gestural Expression and Emotional Elicitation to Access the Musical Intangible Cultural Heritage. J Comput Cult Herit, 2018, 11: 1-20 CrossRef Google Scholar
[38] Koutsabasis P, Vosinakis S. Kinesthetic interactions in museums: conveying cultural heritage by making use of ancient tools and (re-) constructing artworks. Virtual Reality, 2018, 22: 103-118 CrossRef Google Scholar
[39] Tongpaeng Y, Sribunthankul P, Sureephong P. Evaluating realtime thai dance using Thai dance training tool. In: Proceedings of 2018 International Conference on Digital Arts, Media and Technology (ICDAMT), 2018. 185--189. Google Scholar
[40] Fanini B, Pagano A. Interface design for serious game visual strategies the case study of “Imago Bononiae". In: Proceedings of Digital Heritage, Granada, 2016. 623--626. Google Scholar
[41] MSRA. The Palace Museum cooperates with MSRA and Peking University to reproduce the painting of along the river during the qingming festival. Matrix, 2010, 16: 4--5. Google Scholar
[42] Malegiannaki I, Daradoumis . Analyzing the educational design, use and effect of spatial games for cultural heritage: A literature review. Comput Education, 2017, 108: 1-10 CrossRef Google Scholar
[43] My Learning. Free learning resources from arts, cultural and heritage organisations. 2018-11-02. https://www.mylearning.org/stories/yongs-china-quest-adventure-game-level-1/257. Google Scholar
[44] GREAT BIBLE RACE. GAME INFO. 2018-11-02. http://greatbiblerace.com/index.htm. Google Scholar
[45] Fanini B, Pagano A. Interface design for serious game visual strategies the case study of “Imago Bononiae". In: Proceedings of Digital Heritage, Granada, 2016. 623--626. Google Scholar
[46] Vourvopoulos A, Liarokapis F, Petridis P. Brain-controlled serious games for cultural heritage. In: Proceedings of the 18th International Conference on Virtual Systems and Multimedia (VSMM), Milan, 2012. 291--298. Google Scholar
[47] Froschauer J, Seidel I, Gartner M, et al. Design and evaluation of a Serious Game for immersive cultural training. In: Proceedings of International Conference on Virtual Systems and Multimedia, Seoul, 2010. 253--260. Google Scholar
[48] Wang H J. The basis of Chinese Museology. Shanghai: Shanghai Classics Publishing House, 2001. 53. Google Scholar
[49] De Carolis B, Gena C, Kuflik T. Special issue on advanced interfaces for cultural heritage. Int J Human-Comput Studies, 2018, 114: 1-2 CrossRef Google Scholar
[50] Madirov E, Absalyamova S. The influence of Information Technologies on the Availability of Cultural Heritage. Procedia - Social Behaval Sci, 2015, 188: 255-258 CrossRef Google Scholar
[51] Hashim A F, Taib M Z M, Alias A. The Integration of Interactive Display Method and Heritage Exhibition at Museum. Procedia - Social Behaval Sci, 2014, 153: 308-316 CrossRef Google Scholar
[52] Li Z Y. The construction of the Intangible Cultural Heritage Museum: a case of Nanjing Museum's Intangible Heritage Gallery. Southeast Culture, 2015, 5: 107--112. Google Scholar
[53] Sun C M, Cheng Q, Tan G X. Current situation and countermeasure anlysis for digital protection of intangible cultural heritage in Minority Areas of Guangxi. Study Ethnics Guangxi, 2017, 3: 124--132. Google Scholar
[54] Dai J B, Shan G H. Design and implementation of digital protection platform for manchu intangible cultural heritage based on Web. Res Library Sci, 2010, 9: 32--34. Google Scholar
[55] Lei G H. Construction of intangible cultural heritage resources database: significance, research status and existing problems. China Three Gorges Culture Studies, 2009, 1: 528--538. Google Scholar
[56] ACCU. Asia-Pacific Database on Intangible Cultural Heritage(ICH). 2018-11-02. http://www.accu.or.jp/ich/en/. Google Scholar
[57] Asia Society. Kids. 2018-11-02. http://kids.asiasociety.org. Google Scholar
[58] Song L H, Li W S, Dong T. Digital protection of intangible cultural heritage and construction of knowledge integration platform. Library J, 2015, 34: 73--81. Google Scholar
[59] Ni X C, Zhang R. Thoughts on the construction of digital resource database of intangible cultural heritage archives. Archives Sci Bull, 2017, 2: 53--57. Google Scholar
[60] Pietrobruno S. YouTube and the social archiving of intangible heritage. New Media Soc, 2013, 15: 1259-1276 CrossRef Google Scholar
[61] Jan Z. Crowdsourcing cultural heritage: “Citizen Archivists" for the future. Comput Libraries, 2014, 10: 21--23. Google Scholar
[62] Gavrilis D, Ioannides M, Theofanous E. Cultural Heritage Content Re-Use: An Aggregators's Point of View. ISPRS Ann Photogramm Remote Sens Spatial Inf Sci, 2015, II-5/W3: 83-87 CrossRef ADS Google Scholar
[63] Kim H Y, Suh J, Ahn J, et al. Constructing a semantic Wiki for living cultural heritage: case study of Korean tea culture. In: Proceedings of the 9th International Conference on Ubiquitous Information Management and Communication, Bali, 2015. 1--4. Google Scholar
[64] Giglitto D. Enhancing Community Heritage Empowerment through Wiki Software. In: Proceedings of the 18th ACM Conference on Computer-Supported Cooperative Work and Social Computing, Vancouver, 2015. 85--88. Google Scholar
Figure 1
(Color online) (a) Logo of the Memory of the World programme; (b) logo of the United States Library of Congress American Memory
Figure 2
(Color online) Analysis of the digitization process of intangible cultural heritage
Figure 3
(Color online) Analysis of the display methods of the intangible cultural heritage digital museum
Figure 4
Intangible Cultural Heritage Digital Museum design achievements of Interactive Media Institute of Arts & Design Academy, Tsinghua University
Figure 5
Diversified digital display method of Xiangxi Intangible Cultural Heritage Digital Museum.(a) Interactive play of Miao folk songs; (b) show the folk songs and dances on the digital stage
Figure 6
Tujia's hanging foot building construction process display
| Presentation modes | Presentation means | Characteristics |
| Traditional information | Graphic design and printing of | Low presentation cost and |
| presentation | pictures and texts, and on-screen | technology requirements. |
| display of videos and models. | ||
| Mechanically controlled | Visualization of the “formless" contents | Strong user experience, and high |
| presentation | of intangible cultural heritage via | maintenance cost for software and |
| mechanical devices and displays. | hardware. | |
| Interactive touchscreen | Integration of information, software, | Strong immersive feeling, and |
| presentation | users and a screen, where users | relatively low development cost. |
| interact with the screen. | ||
| Sensor-based interactive | Interaction between users and sensors, | Relatively mature technologies, |
| presentation | and processing and feedback of | and a wide range of applications. |
| interactive information by computers. | ||
| Virtual-reality-based | Computer-generated highly realistic sensory | Strong sense of reality, |
| experiential presentation | world of three-dimensional vision, | high requirements for hardware and |
| hearing, touch and smell. | sites, and high maintenance cost. |
Download PDF
